blackmagic pocket cinema camera original

The effect is that you feel like you are holding a sturdy product with very few breakable parts, but also that it might be lacking in essential physical controls, which it is. Blackmagic had to make it that way in order to keep costs down. Usually professional film productions use RAW, and it has been limited to cameras well over $US10,000 until recently.Įverything about the look and layout of the camera is utterly simple. It provides wide dynamic range, and can be manipulated heavily with very little loss in quality. For the unfamiliar, RAW is an uncompressed format that is meant to be colour-graded. It opens the doors for those on a budget to sink their teeth into professional-grade image quality and post-production. Why Does It Matter?Īs with original Cinema Camera in 2012, it’s unprecedented to have access to RAW (or even ProRes) recording at this price. The basic innards are the same as the original Cinema Camera, just outfitted to squeeze into the 5-inch wide, 354g magnesium alloy body. It takes micro four-thirds lenses and shoots ProRes or CinemaDNG RAW footage to SD cards. It’s a surprisingly small $US1000 video camera with a super-16 size sensor (a bit smaller than micro four-thirds). The Pocket Cinema Camera continues forging the path of the upstart high-end video camera. The announcement of Blackmagic’s $US3000 RAW-shooting Cinema Camera in 2012 caused such a stir that not many could have anticipated a followup model, so soon, that was a fraction of the cost and a fraction of the size.

Blackmagic pocket cinema camera original